Definitief Proberen is a floor installation made from foam mats, commonly found in spaces where injuries may occur or in childcare settings where caregivers ensure safety. I chose this material as a metaphor to explore the saying “it takes a village.”
On the floor, sculptures resembling toys invite playful interaction. These sculptures are made from found objects and are called ‘Groeistuipen’, an old Dutch word describing the physical changes of puberty. The objects reflect the discomfort of relating and connecting, embodying a fragile state of being, and expressing a need for comfort and recognition.
DEFINITIEF PROBEREN 2024
Geïntegreerd was a research project that culminated in an installation and two sculptures. The project began as a response to a newspaper article describing a man’s eviction from his makeshift community garden. The article struck me as a beautiful contradiction, where discussions of fault and blame were overshadowed by our discomfort with complex issues like homelessness and immigration.
The man had been growing figs, peppers, and other plants beneath a metro bridge, a space also occupied by homeless individuals. The municipality and metro company deemed the area polluted and concluded that the garden made the location “too attractive,” drawing more people to the spot. Thus, they decided the man had to leave.
The article presented the story from the perspective of an immigrant whose integration seemed justified by his act of turning a neglected urban space into something usable and beautiful. He was portrayed as a selfless figure who, rather than causing harm, was offering something to the community. However, neither his origins nor his intentions were truly relevant; the issue boiled down to assigning blame to the so-called “pollution” of homelessness, and treating it as the “ugliness” that needed addressing. Allowing the man to stay seemed to expose a double standard.
This situation sparked frustration and a deeper reflection. I realized that this land was essentially forgotten ground—if left alone, it would remain barren and overgrown with weeds. The man had brought it to life, creating fertile soil, a safer environment, and a source of food. If pollution was the concern, why not simply provide bins?
This scenario raised a fundamental question for me: who has ownership over our basic needs, like food, shelter, community, and play?
INTEGRATIE 2023
‘T SCHOOLBORD(2x) — DE BAL — ‘T EI 2023
Project bijna was a residency project at ’t Resort. I created an object and two interactive seating for an exhibition in an ice-skating rank. The benches are embracing the trail and error moments of learning and offer a place of rest and play at the moments of just beginning and ending. They hold instruction to help, guide and support one another.
BIJNA 2022
EEN DAG IN HET DAGBOEK VAN 2021
Een dag in het dagboek van is an installation that portrays the moment of adolescent growth. It visualizes the moment where childlike innocence meets the violence of life. The objects are created to be interpreted through every sense where they are subjects of duality in experience. Like the lemons and limes having vibrant colors but also are sour to taste. perspective of play it
VERPAKKING — A+C=C/H=? — DE KEUKEN
Aptitude + capacity = capability / human interaction = ?
This sight specific installation deals with the question of reason after obbendoment. The installation is created at the Herenstraat 72 in Groningen which was a former shopping centre. The space in specific was most likely the staff rooms kitchen and toilet. There where traces left of young lust induced romances through vulgair symbols of the wall and the leftover what was ones a functional kitchen. I started working with the notion of bodily memory and the effect concrete has on our bodies. I created large rocks trying to give more space to the space. Along the way it resulted in interaction trying to find new meaning to the now new created space. Releaving it from a human made function resulting in an function /no function space.